
Her works have garnered such esteemed awards as the Wole Soyinka Prize for Literature and the Macmillan Writer's Prize for Africa. Nigerian sci-fi/fantasy author Nnedi Okorafor, who has a PhD in English and is a professor at Chicago State University, is a force to be reckoned with in the literary world.
She recently spoke to BlackVoices.com. Excerpts of the conversation are below.
BlackVoices.com: What inspired you to write 'Who Fears Death,' and why did you choose such a profound, in-your-face, fear-inspiring [for some] title?BV: Your stories have a recurring theme about them: Female lead characters who are on the outskirts of society -- Outsiders. For instance, in Who Fears Death, Onyesonwu is ewu, a child of rape, who doesn't fully fit into the Okeke or the Nuru world. Why females in lead roles and why the choice to make them outsiders?
I do anticipate one day writing a male character. All of my female lead characters have not only been just outcasts, but also, there is something about them that makes them different. A lot of that comes from the way that I feel and the way that I fit in society. I'm on the outside of so many different circles. I'm on the inside, but I'm also on the outside. I was born and raised in the United States. Both of my parents are Igbo. I've always felt part of the Nigerian community, but also outside of it. I've always felt part of the African American community, but also outside of it. I was a nerd, but I was also a jock. So, I've migrated around different circles, and that comes out in my writing. As far as female characters, I have always loved reading fantasy. But, I wasn't seeing black characters, and whenever I saw a female character, I would never see a female character who was written well. I never saw hardcore, complex female characters. That's what I wanted to see, and so I wrote them.
BV: Magic, post-apocalyptic society, religion, tradition, spirituality, nature -- You beautifully weave all these things into your work. There is the sense that you are ahead of your time. What was your childhood like? Very imaginative I'm guessing.I was a strange kid. I had a very happy childhood. Both of my parents were highly educated, hardworking and successful, and I had my siblings. We grew up in a place that was developing. This was in the South suburbs of Chicago. There were a lot of empty lots that had a lot of plants in them. And that's where I used to hang out. And this is where I developed my love for nature and insects. Growing up, my parents would take us back to Nigeria. And I loved reading. The minute I was able to read I did not stop. It fueled my imagination. You mix together all my experiences and you could see where all the strangeness comes from.
As I wrote the book, a lot of the things that bothered me were issues pertaining especially to African women. Who Fears Death took six years to write. There was information in there that I had been gathering for at least 10 years. When I read about the weaponized rape in Sudan, I was deeply angered and disgusted. The break down of it is that Christian black African women are being raped by ethnically Arab men with the hopes of producing multi-racial and multi-tribal children. You see, these children will be considered the children of the father due to patriarchal assumptions. Thus, these men were seeking to destroy families from the inside out. That was an example of one of the problems as it pertains to African women. Our bodies are a war zone. Through domestic violence, female circumcision, the way names are passed down, widowhood rights, the diseased institution of marriage, the lack of education, I can go on. Who Fears Death dealt with a lot of those issues.

BV: In the book you deal with rites of passage and sexual repression. For the girls in Jwahir, they undergo a rite of passage into womanhood in which they undergo a procedure that is purported to benefit them. As the story unfolds, so do some interesting circumstances. Why did you revisit this rite of passage later on in the book?
BV: So, what's next for you?
I have a forthcoming novel that comes out in April 2011 and it's titled 'Akata Witch.' Also, the film stuff and some other secret stuff. In terms of writing another adult novel, I've got so many different stories in my head and on paper. I've got a lot of material.
BV: Let's talk about the film stuff. There are some big things happening with 'Who Fears Death.' Currently, the story is being optioned for a movie by film producer Kisha Cameron-Dingle, who is the program director of the Focus Features Africa First Short Film Program, a program for filmmakers from Africa. She associate produced 'Sometimes in April' and 'Bamboozled.' That's exciting. How do plan to retain the authenticity of the work and in general, how do you maintain authenticity in your work?
BV on Books: Hot List for This Season
BV on Books' Hot List for This Season
BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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BV on Books: Hot List for This Season
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